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THE EPIC OF ARYA: In Search of the Sacred Light
by Abir Taha
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Description
THE SPIRITUAL BIBLE
"I am searching for the Light... not the light made by man, but the Light that made man."
"Know that it was but one god who died on the cross, and many are waiting to be born."
THE EPIC OF ARYA is about man's eternal quest for the divine. It depicts man's perennial inner struggle between light and darkness, and teaches him to re-conquer his lost divinity by unveiling the "god within", the Inner Light. Overcoming the "death of God" declared by Nietzsche, THE EPIC OF ARYA speaks about the redemption of the divine and its rebirth in man. To redeem God in men: that is Arya's sacred mission.
Half-woman, half-goddess, Arya is torn between Love and Truth, between passion and duty. Confused, she wonders: should she accept her human plight, or fulfil her divine destiny? A fundamental question ever haunts her: is Love human or divine? In that fateful question lies the future of humanity, for in each man, the divine flame slumbers, waiting to be kindled by the Light of Awakening. Rising above her fears, and breaking her idols, Arya, awakened and liberated, preaches the Eternal Religion which is above men's fleeting religions, narrow identities, and imperfect creeds, heralding a new, higher consciousness beyond the frontiers erected within man and between men.
An inner journey of self-discovery, this inspirational, allegorical novel is the spiritual bible: it heals, awakens, transforms. Arya's epic conveys a universal message of unity, hope, and salvation in a world torn apart by the clash of civilisations and religions, offering a spiritual alternative to the two scourges plaguing mankind today: the scourge of religious fundamentalism — God idolatry — and the scourge of atheist materialism — God denial -, for only a spiritual awakening can save man from his own blind folly.
NIETZSCHE, PROPHET OF NAZISM: THE CULT OF THE SUPERMAN; Unveiling the Nazi Secret Doctrine
by Abir Taha
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Description
The book deeply analyses Nietzsche's influence on Nazi ideology, focusing on how the Nazis appropriated most of Nietzsche's concepts and ideals to fit them into their own doctrine. Yet in doing so, the author draws a clear distinction between the Nazi esoteric doctrine, - which is elitist, supra-national, and spiritual -, and the popular, nationalist exoteric doctrine. She then endeavours to establish a clear link between the Nazi secret doctrine and Nietzsche's philosophy, revealing both the occult character of Esoteric Nazism and the pagan Aryanism of Nietzsche.
The book has therefore a two-fold contribution: it unveils the Nazi esoteric doctrine, which the author claims is purely Nietzschean in character, and analyses Nietzsche's philosophy in order to extract from it a clearly eugenicist, Aryanist dimension, thus establishing a clear link between the German philosopher's thought and the Nazi Secret Doctrine. The author thus unveils both Nietzsche's universal Aryanism as well as Nazism's esoteric doctrine.
This subject is of great interest to all those interested in a deeper understanding of the spiritual dimension of Nietzsche's thought, as well as the occult nature of Nazism, and the relationship between these two doctrines. The book aims to end the controversy that is still ongoing today as regards Nietzsche's relation to Nazism, by showing that the exoteric side of Nazism, which focuses on nationalism and biological racism, had little to do with Nietzsche's elitist, universal and spiritual Aryanism, thus coming up with the conclusion that Nietzsche's influence was essentially on the esoteric, spiritual, secret doctrine of Nazism.
LE DIEU À VENIR DE NIETZSCHE, OU LA RÉDEMPTION DU DIVIN ("Nietzsche's Coming God, or the Redemption of the Divine") - 2005
by Abir Taha
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Description
L'auteur cherche à démontrer que le côté « destructeur » de la pensée nietzschéenne n'est en fait qu'un « marteau » dont Nietzsche s'est servi pour détruire les mensonges millénaires du judéo-christianisme, une étape nécessaire — bien que transitoire — à sa grande oeuvre de création : le Surhumain, incarnation du dieu en devenir et du dieu « à venir ».
Nietzsche était un iconoclaste, un briseur d'idoles, un esprit libre et profondément spirituel. Il a salué la mort du faux dieu, celui qui maudit et nie la vie, et a vu en cette mort non pas une fin en soi, mais un prélude à la renaissance du divin, après la purification de son « épiderme moral », selon Nietzsche. Car si Nietzsche était athée, il était aussi « le plus pieux des sans dieu», comme il l'admet lui-même dans son Zarathoustra. Nietzsche rêve d'une nouvelle forme de divinité, d'un nouvel espoir pour une surhumanité en quête de perfectionnement et de dépassement éternels, qui aurait rejeté à la fois le dogme obscurantiste religieux et le dogme rationaliste cartésien.
Pour Nietzsche, la mort de l'ancien dieu du monothéisme ouvre ainsi la voie à une nouvelle vision, panthéiste et païenne, de la divinité, annonciatrice d'un dieu «à venir » au-delà du bien et du mal, un dieu qui affirme et bénit la vie. Ce dieu à venir de Nietzsche, c'est Dionysos réincarné ou la rédemption du divin, une promesse de midi et d'éternité.
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